Electric Fetus - Duluth
Monday, November 19th - 7:00 p.m.
KFAI’s MinneCulture presents Charlie Parr Live From Minnesota Mixtape Release in-store performance at The Electric Fetus in Duluth on Monday, November 19th at 7:00 p.m.
• Tapes will sell for $5 at local record stores. All proceeds to benefit KFAI, a nonprofit community radio station.
This is a free, all ages event.
Minneapolis - Duluth
20% off storewide Friday, Nov. 23rd and Saturday, Nov. 24th
On Friday, November 23rd from 9 a.m. to 9 p.m. and Saturday, November 24th from 9 a.m. to 8 p.m., almost everything in the store is 20% off. (Discount does not apply to tickets, tobacco, gift cards, Mix & Burn CDs and any product already sale-priced, including Black Friday Exclusives.)
As in years past, Black Friday 2018 will be full of special collectible releases. These releases are made in small, limited runs and/or pressed on colored vinyl -- and are only available at independent record stores on Black Friday.
With any special event like this, we want to make it enjoyable for everyone and try to ensure that everyone who comes has a fair chance to get get something from their list. Here are our guidelines: There will be a limit of 10 items per person on Black Friday releases (only 1 copy of any particular title allowed.) We will not be able to hold any Black Friday product, and because of the limited nature of the releases, we can't guarantee specific titles will be in stock. If there is a line prior to opening at 9 a.m., we will start handing out numbers to those in line around 8:30 a.m. to ensure everyone's safety.
Electric Fetus - Minneapolis & Duluth
Friday, November 23rd
Right before Thanksgiving we'll publish a list of the titles that we'll have in the Minneapolis store on Black Friday.
The Good, The Bad & The Queen - Merrie Land - Studio 13
This week sees the release of Merrie Land, the second album from The Good, The Bad & The Queen, a band comprising of Damon Albarn, Paul Simonon, Tony Allen and Simon Tong. The album sees the band’s focus move beyond London with a beautiful and hopeful paean to the Britain of today - an inclusive Britain - and the possibilities of the future. In the band’s own words, Merrie Land is a ten song lament of Anglo-Saxosentialism marking the reluctant end of a relationship, and about picking up the pieces and seeing what can be salvaged. The band set a beautifully muted palette and lustrous finish to bring out a mood that is bruised yet unapologetically defiant and optimistic, and carries the underlying message: we will survive. In times of metaphysical trauma, the people need to forge ahead and wear armour. Here it is, set to the mood music of a nation about to be broken yet undefeated.
Mumford & Sons - Delta - Glassnote
Mumford & Sons emphatic return is spearheaded with the inspiring new single, "Guiding Light". Their fourth album, Delta, was produced by Paul Epworth.
Smashing Pumpkins - Shiny And Oh So Bright, Vol. 1 / No Past. No Future. No Sun. - Napalm
In June of 2018, The Smashing Pumpkins released their new single “Solara” ahead of their monumental Shiny And Oh So Bright Tour. The track was the first song in over 18 years to feature founding members Billy Corgan, James Iha, and Jimmy Chamberlin, alongside longtime guitarist Jeff Schroeder and offered the first glimpse of music from the newly reformed lineup. In September of 2018, the band formally announced their forthcoming 10th studio album Shiny And Oh So Bright, Vol. 1 / No Past. No Future. No Sun. and shared its second single “Silvery Sometimes (Ghosts)”. Recorded at Shangri La Studios with legendary producer Rick Rubin, LP is out this week via Martha’s Music under license to Napalm Records. With over 30 million albums sold to date, the GRAMMY®, MTV VMA, and American Music Award winning band remains one of the most influential bands in history.
Chris Cornell - Chris Cornell - UME
First ever complete retrospective of Chris Cornell’s career covering Soundgarden, Temple of the Dog, Audioslave and his solo works. The centerpiece to the collection is the newly discovered, unreleased track “When Bad Does Good” found in Chris’ personal audio archive which was performed, recorded and mixed by Chris himself. Creative Director for the project is Jeff Ament (Pearl Jam, Temple of the Dog) who oversaw the project design including the 32-page booklet with unreleased photos. Liner note contributions by Kim Thayil, Matt Cameron, Tom Morello, Mike McCready and Brendan O’Brien. A limited edition, custom die-cut o-card features Seattle’s tree-line graphics on the front and other various cities Chris lived in throughout his life on the back. Additional highlights of tracks include the unreleased performance from SiriusXM of the Prince classic “Nothing Compares 2 U,” Soundgarden’s “Black Hole Sun,” Audioslave’s “Like A Stone” and the theme song to the 2006 James Bond film Casino Royale “You Know My Name.”
Anderson .Paak - Oxnard - 12 Tone Music
Anderson .Paak's new album, Oxnard, is a nod to the Southern California city where Anderson grew up. It is the Grammy-nominated artist’s 3rd studio album and the first to be released on Dr. Dre’s label Aftermath Entertainment. Oxnard will include his latest single, “Tints” featuring Kendrick Lamar along with album features from J. Cole, Pusha T and many more. Earlier this year, Anderson .Paak shared with Rolling Stone that "… this is the album [he] dreamed of making in high school, when [he] was listening to [Jay-Z]'s The Blueprint, The Game's The Documentary, and [Kanye West's] The College Dropout."
Chris Robinson Brotherhood - Betty's Midwestern Magick Blends - Silver Arrow Records
The Chris Robinson Brotherhood is indisputably one of the hardest working bands in rock ’n’ roll. 2018 marks the fourth year in a row that they’ll play over 200 shows across the U.S. and Europe. Through that prolific touring schedule, the band has emerged a razor sharp, riveting live unit. Each evening The CRB plays two sets of music with a dynamic, ever-changing setlist. Presenting original material stretching across six studio albums, plus a repertoire of covers that runs from Slim Harpo to Bob Dylan and beyond, it’s only fitting that the band would document this output. They’ve done exactly that through a series of live recordings dubbed, ‘Betty’s Blends’—taking its moniker from legendary Grateful Dead archivist and recording engineer Betty Cantor-Jackson who is called upon to capture The CRB’s performances in multi-dimensional, audio-verite. ‘Betty's Midwestern Magick Blends’ is the fourth volume from the acclaimed series, gathering highlights from three shows in Milwaukee, Madison and Chicago in October 2016. Available as a vinyl exclusive, 3-LP set with only 3500 copies released, the collection finds The CRB in peak form delivering highlights like “New Cannonball Rag,” “Forever As The Moon” and “Shadow Cosmos,” as well as adapting two from The Rolling Stones: “Down Home Girl” and “Let It Bleed” and the seldom played fan favorite, Steppenwolf’s “Magic Carpet Ride.” If the past is any indication, this will sell out fast, while quickly becoming much sought-after, so fans are advised to grab one quick.
Brian Newman - Showboat - Verve
Brian Newman, trumpeter, crooner and long-time bandleader for superstar Lady Gaga, has signed to Verve Records and will be releasing his debut solo album, Showboat, this week. A true talent on trumpet, this release incorporates creative takes on rock classics as well as jazz standards. Brian has toured with Tony Bennett and Lady Gaga and has collaborated with Jose Feliciano and Dierks Bentley. He's performed on Boardwalk Empire, NBC's Christmas in Rockefeller Center, MTV's Video Music Awards, The Tonight Show, Watch What Happens Live, Marc Jacobs fashion shows and in a national H&M commercial.
Glen Campbell - Glen Sings For The King - Capitol
The lost album from Glen Campbell, Glen Sings For The King contains eighteen recently unearthed and restored studio recordings from 1965-1967 that casts new light on the influence that Campbell had on America’s greatest rock and roll star, Elvis Presley. Before his breakthrough single “Gentle On My Mind” Campbell was recording songs for legendary songwriter Ben Weisman, who wrote an unmatched 57 songs recorded by Elvis Presley. Campbell had an uncanny knack to sings in Elvis’s key and thirteen of these tracks went on to be recorded and released by Presley. The collection highlights Campbell’s incredible musicianship and contains “We Call on Him” a previously unreleased duet fused from the voices of Presley and Campbell.
Rush - Hemispheres: 40th Anniversary - Mercury
Hemispheres: 40th Anniversary features the 2015 album remaster along with previously unreleased and newly restored bonus content consisting of the Rush’s 1979 Pinkpop festival performance. The album is available on 2CD, 3LP and as a Super Deluxe Box Set which Includes 3, 180g LPs mirroring the 2 CDs. The Blu-Ray disc features the album newly mixed from the original multi-tracks in 5.1 surround sound along with 4 bonus videos. Also includes a 40-page hard cover book with unreleased photos and new artwork by Hugh Syme, an extensive essay by Rob Bowman, a 1979 tour replica program, a wall poster, a Pinkpop Festival replica ticket and VIP pass, and a replica 1978 “Rush” Hemispheres iron-on patch.
ALSO OUT THIS WEEK
Mariah Carey - Caution
August Burns Red - Winter Wilderness EP
I Don't Know How But They Found Me - 1981 Extended Play
David Bowie - Breaking Glass E.P.: 40th Anniversary Picture Disc Vinyl
Conan Gray - Sunset Season EP
Alessia Cara - Not Today
Wheeler Walker Jr. - All The Pussy You Will Slay
For more information on these and other releases out this week, check out our New Releases charts by week section.
Electric Fetus - Minneapolis
Wednesday, November 21st - 7:00 p.m.
UPDATE (Friday, Nov. 2nd): THIS EVENT IS NOW SOLD OUT ONLINE AND IN THE STORE! Thank you to 300 amazing Hippo Campus fans for pre-ordering our exclusive version of Bambi. You may still order our version of Bambi to be shipped on its release date of Nov. 23rd. If you pre-ordered for an event pass and you haven't received anything yet, please email your order number to email@example.com and we'll get back to you next week!
UPDATE (Friday, Oct. 26th): PASSES ARE NOW SOLD OUT ONLINE...there are under 20 available in the store. (No holds or phone orders).
UPDATE (Thursday, Sept. 13th): PASSES STILL REMAIN FOR THIS EVENT. Due to the high volume of web orders, we won't start shipping these passes until the week of Sept. 17th. We appreciate your patience!
UPDATE (Monday, Sept. 10th): PASSES STILL REMAIN FOR THIS EVENT. PRE-ORDER IN THE STORE OR ONLINE NOW. We've emailed an "order received" or "order question" email to everyone who ordered up through 9/9. We will start shipping passes and receipts out this week. You'll receive an "order processed" email when your pass(es) and receipt(s) have been mailed out. If you want to pre-order the LP but aren't coming to the event, please comment "no pass" and pick a paid shipping option. Thanks!
The Electric Fetus is psyched to have Hippo Campus return for a special, private in-store performance on Wednesday, November 21st to celebrate the upcoming release of their new album, Bambi. (Please note: This is the Wednesday evening before Thanksgiving.)
Hippo Campus will be performing at 7:00 and then signing afterwards.
There are a limited number of passes for the show, so make sure to secure your spot! Here's how:
The first 300 people to pre-purchase the Electric Fetus’ exclusive salt-and-pepper vinyl version of the new Hippo Campus LP, Bambi ($19.99) will receive a pass for the private in-store performance at our Minneapolis location. Bambi will be released on CD and a few color variations on LP on November 23rd. The Electric Fetus’ version of the LP is the only way to get into this private event. You will get your pre-ordered LP at the event. Each event pre-order includes a FREE Hippo Campus tote bag that you will pick up at the event when you get your LP. This event is the only way to get your special Hippo Campus tote bag.
PASSES NO LONGER AVAILABLE ONLINE! Purchases may be made in person at the Minneapolis store while limited supply lasts. No holds or phone orders.
Here are the other logistics and a couple restrictions you should know:
• Customers will receive one pass per Electric Fetus exclusive LP purchased. Pass allows entry for one person only.
• Each customer may purchase a maximum of 4 passes.
• Passes are available online now while supplies last. For online orders, passes will be mailed to you. PLEASE ALLOW US 1-2 DAYS TO GET YOU YOUR EMAIL CONFIRMATION THAT YOU ARE GETTING A PASS. We will start shipping passes next week.
Pass and receipt must be brought to the in-store and presented to pick up pre-ordered item. Shipping charges will be waived for pre-orders for this event. Choose the PRE-ORDER PROMO/PRIVATE EVENT shipping option for no shipping charge. We will not ship out the product. It must be picked up at the store that night.
Regular black vinyl 7"
"Nothing Compares 2 U" contains the original version of the iconic song. This previously unreleased version was recorded in 1984, six years before 1990's classic reimagining by Sinéad O'Connor and before Prince started performing the song live. The track was recorded at the Flying Cloud Drive 'Warehouse' in Eden Prairie by Prince's long-time engineer Susan Rogers, and originally composed, arranged and performed in its entirety by Prince, aside from the backing vocals by Susannah Melvoin and Paul "St. Paul" Peterson. Also featured on the original track is saxophone work by Eric Leeds.
In November 1968, millions of double LPs were shipped to record stores worldwide ahead of that tumultuous year’s most anticipated music event: the November 22nd release of The BEATLES (soon to be better known as ‘The White Album’). With their ninth studio album, The Beatles took the world on a whole new trip, side one blasting off with the exhilarating rush of a screaming jet escorting Paul McCartney’s punchy, exuberant vocals on “Back In The U.S.S.R.” “Dear Prudence” came next, John Lennon warmly beckoning his friend and all of us to “look around.” George Harrison imparted timeless wisdom in “While My Guitar Gently Weeps,” singing, “With every mistake we must surely be learning.” Ringo Starr’s “Don’t Pass Me By” marked his first solo songwriting credit on a Beatles album. For 50 years, ‘The White Album’ has invited its listeners to venture forth and explore the breadth and ambition of its music, delighting and inspiring each new generation in turn.
On November 9, The Beatles will release a suite of lavishly presented ‘White Album’ packages (Apple Corps Ltd./Capitol/UMe). The album’s 30 tracks are newly mixed by producer Giles Martin and mix engineer Sam Okell in stereo and 5.1 surround audio, joined by 27 early acoustic demos and 50 session takes, most of which are previously unreleased in any form.
“We had left Sgt. Pepper’s band to play in his sunny Elysian Fields and were now striding out in new directions without a map,” says Paul McCartney in his written introduction for the new ‘White Album’ releases.
This is the first time The BEATLES (‘White Album’) has been remixed and presented with additional demos and session recordings. The album’s sweeping new edition follows 2017’s universally acclaimed Sgt. Pepper’s Lonely Hearts Club Band Anniversary Edition releases. To create the new stereo and 5.1 surround audio mixes for ‘The White Album,’ Martin and Okell worked with an expert team of engineers and audio restoration specialists at Abbey Road Studios in London. All the new ‘White Album’ releases include Martin’s new stereo album mix, sourced directly from the original four-track and eight-track session tapes. Martin’s new mix is guided by the album’s original stereo mix produced by his father, George Martin.
“In remixing ‘The White Album,’ we’ve tried to bring you as close as possible to The Beatles in the studio,” explains Giles Martin in his written introduction for the new edition. “We’ve peeled back the layers of the ‘Glass Onion’ with the hope of immersing old and new listeners into one of the most diverse and inspiring albums ever made.”
First ever complete retrospective of Chris Cornell’s career covering Soundgarden, Temple of the Dog, Audioslave and his solo works. This 2 LP set includes:
* Denotes previously unreleased material
The 2-LP Chris Cornell edition showcases 17 songs with 2 previously unreleased of songs from all stages of Chris’ career including Soundgarden, Temple of the Dog, Audioslave and his solo works. The centerpiece to the collection is the newly discovered, unreleased track “When Bad Does Good” found in Chris’ personal audio archive which was performed, recorded and mixed by Chris himself. Creative Director for the project is Jeff Ament (Pearl Jam, Temple of the Dog) who oversaw the project design including the 12-page booklet with unreleased photos. Liner note contributions by Kim Thayil, Matt Cameron, Tom Morello, Mike McCready and Brendan O’Brien. A limited edition, custom die-cut o-card features Seattle’s tree-line graphics on the front and other various cities Chris lived in throughout his life on the back. Additional highlights of tracks include the unreleased performance from SiriusXM of the Prince classic “Nothing Compares 2 U,” Soundgarden’s “Black Hole Sun,” Audioslave’s “Like A Stone” and the theme song to the 2006 James Bond film Casino Royale “You Know My Name.”
Set for release on November 9, the bands fourth LP 'Take Good Care' is previewed with the first single 'All My Friends,' a song brimming with confidence that unleashes the bands next chapter. The track which is already Top 3 at AAA and Top 10 at Modern Rock. 'All my Friends' will cross over to Hot AC in early October followed by Top 40. This is just the start! 'You Said it All', 'Oh No' and 'Some People Say' are just a few of the potential chart-toppers in this collection, which was co-produced with Dave Cobb (Sturgill Simpson, Chris Stapleton) and Andrew Dawson (Kanye, Fun) it's a project showcasing new found depth and craft that mark a band bent on proving they are far more than a band synonymous with a single song.
Near the end of Reagan's first term, the Western Massachusetts Hardcore scene coughed up an insanely shaped chunk called Dinosaur. Comprised of WMHC vets, the trio was a miasmic tornado of guitar noise, bad attitude and near-subliminal pop-based-shape-shifting. Through their existence, Dinosaur (amended to Dinosaur Jr. for legal reasons) defined a very specific, very aggressive set of oblique song-based responses to what was going on. Their one constant was the scalp-fryingly loud guitar and deeply buried vocals of J Mascis. A couple of years before they ended their reign, J cut a solo album called Martin + Me. Recorded live and acoustic, the record allowed the bones of J's songs to be totally visible for the first time. Fans were surprised to hear how melodically elegant these compositions were, even if J still seemed interested in swallowing some of the words that most folks would have sung. Since then, through the reformation of the original Dinosaur Jr lineup in 2005, J has recorded solo albums now and then. And those album, Sings + Chant for AMMA (2005), Several Shades of Why (2011) and Tied to a Star (2014) had all delivered incredible sets of songs presented with a minimum of bombast and a surfeit of cool. Like its predecessors, Elastic Days was recorded at J's own Bisquiteen studio. Mascis does almost all his own stunts, although Ken Miauri (who also appeared on Tied to a Star) plays keyboards and there are a few guest vocal spots. These include old mates Pall Jenkins (Black Heart Procession), and Mark Mulcahy (Miracle Legion, etc.), as well as the newly added voice of Zoë Randell (Luluc) among others. But the show is mostly J's and J's alone. He laughs when I tell him I'm surprised by how melodic his vocals seem to have gotten. Asked if that was intentional, he says, “No. I took some singing lessons and do vocal warm-ups now, but that was mostly just to keep from blowing out my vocal cords when Dino started touring again. The biggest difference with this record might have to do with the drums. I'd just got a new drum set I was really excited about. I don't have too many drum outlets at the moment, so I played a lot more drums than I'd originally planned. I just kept playing. [laughs] I'd play the acoustic guitar parts then head right to the drums.” There is plenty of drumming on the dozen songs on Elastic Days. But for those expecting the hallucinatory overload of Dinosaur Jr's live attack, the gentleness of the approach here will draw easy comparisons to Neil Young's binary approach to working solo versus working with Crazy Horse. This is a lazy man's shorthand, but it still rings true. Elastic Days brims with great moments. Epic hooks that snare you in surprisingly subtle ways, guitar textures that slide against each other like old lovers, and structures that range from a neo-power-ballad (“Web So Dense”) to jazzily-canted West Coasty post-psych (“Give It Off”) to a track that subliminally recalls the keyboard approach of Scott Thurston-era Stooges (“Drop Me”). The album plays out with a combination of holism and variety that is certain to set many brains ablaze. J says he'll be taking this album on the road later in the year. He'll be playing by himself, but unlike other solo tours he says he'll be standing up this time. “I used to just sit down and build a little fort around myself -- amps, music stands, drinks stands, all that stuff. But I just realized it sounds better if the amps are higher up because I'm so used to playing with stacks. So I'll stand this time.” I ask if it's not pretty weird to stand alone on a big stage. “Yeah,” he says. “But it's weird sitting down too.” Ha. Good point. One needs to be elastic. In all things. --Byron Coley
November sees the release of MERRIE LAND, the second album from The Good, The Bad & The Queen, a band comprising of Damon Albarn, Paul Simonon, Tony Allen and Simon Tong.
The Good, The Bad & The Queen began life as the acclaimed 2007 album of the same name, a heartfelt tribute to London described by The Observer in a 5 star review as –“One of the most surprising and magical records for which Damon Albarn has ever been responsible”. The record traced a journey from the English music hall tradition to West Africa and Afrobeat, zigzagging through the West Indies and its reggae and dub, back to England and London's punk scene, all the while taking in a strand of British beat music from the '50s right through to Britpop. The result was a record specific to a place and mood but with a background that was geographically wide-ranging.
Now the four musical storytellers are back with a new studio album titled Merrie Land. Produced by Tony Visconti and The Good, The Bad & The Queen was completed in London and Wales this year, during the current ongoing period in which the UK is preparing to leave the European Union, Merrie Land is a questioning good-bye letter, a series of observations and reflections on Britishness in 2018. Even though it has been over 10 years since the band last released a record, the timing could not be more apt – there could not be a more perfect band to untangle the optimism, disorientation and confusion in the atmosphere today. With Merrie Land, the band taps into a creative symbiosis of past and future, drawing inspiration from their shared glittering musical histories and wrapping the hybrid results in a brilliantly postmodern yet thoroughly British package.
The album sees the band’s focus move beyond London with a beautiful and hopeful paean to the Britain of today - an inclusive Britain - and the possibilities of the future. In the band’s own words, Merrie Land is a ten song lament of Anglo-Saxosentialism marking the reluctant end of a relationship, and about picking up the pieces and seeing what can be salvaged. The band set a beautifully muted palette and lustrous finish to bring out a mood that is bruised yet unapologetically defiant and optimistic, and carries the underlying message: we will survive. In times of metaphysical trauma, the people need to forge ahead and wear armour. Here it is, set to the mood music of a nation about to be broken yet undefeated.
Dan Mangan is a multiple JUNO Award-winning singer/songwriter who pairs the rich vocals and classic, melody-driven songwriting of Van Morrison and Nick Drake with the clever, everyman lyrical insights of The National and Ryan Adams. More Or Less, Mangan’s fifth studio album, uses perceptive wit and storytelling to grapple with the experience of growing older and becoming a new parent in an increasingly distressing world, finding hope and love while forging ahead into an unknown future.
Charles Bradley's forthcoming LP, Black Velvet is an extraordinary collection of 10 tracks making their LP debut. In addition to fan favorites like Charles covers of Nirvanas 'Stay Away', Neil Young's 'Heart Of Gold', and Rodriguez's 'Slip Away' - this album features 4 never-before-heard tracks from Producer Tommy 'TNT' Brenneck's vaults.
The lost album from Glen Campbell, Sings for the King contains eighteen recently unearthed and restored studio recordings from 1965-1967 that casts new light on the influence that Campbell had on America’s greatest rock and roll star, Elvis Presley. Before his breakthrough single “Gentle On My Mind” Campbell was recording songs for legendary songwriter Ben Weisman, who wrote an unmatched 57 songs recorded by Elvis Presley. Campbell had an uncanny knack to sings in Elvis’s key and thirteen of these tracks went on to be recorded and released by Presley. The collection highlights Campbell’s incredible musicianship and contains “We Call on Him” a previously unreleased duet fused from the voices of Presley and Campbell.
ARCHITECTS UK are a band who’ve never shied away from challenging the world around them. After suffering the loss of co-founder /guitarist Tom Searle to cancer in 2016, the band returned to the road and the studio in 2017 releasing the hit track “Doomsday”, which climbed the Active Rock Radio charts and went on to be one the bands most successful songs. Long lauded as some of modern metal’s most progressive-thinking minds, for the past decade, the quintet have pushed boundaries, redefined genres, and never feared having to question themselves in order for their art to leave its mark on this Earth. ARCHITECTS UK, are a band like few others; The quintet all practice a vegan lifestyle, tour with a consciousness about their footprint on the world, and devote time and energies to environmental causes. Their 8th studio album, Holy Hell is the return to the studio for a band that have come through the grieving process with more drive and determination than ever before. Drummer Dan Searle- Desbiens takes on the helm as lyricist and writes music with his bandmates vocalist Sam Carter, guitarist Adam Christianson, bassist Alex Dean and new guitarist Josh Middleton. For the follow-up to their 2016 album All Our Gods Have Abandoned Us , ARCHITECTS UK recorded at Middle Farm Studios in Devon, UK with bandmates Dan Searle Desbiens and Josh Middleton behind the board as producers.
Housed in a slipcase with two gatefold jackets, this 3, 180-g LP features the 2015 album remaster along with previously unreleased and newly restored bonus content consisting of the band’s 1979 Pinkpop festival performance. Also includes a 24-page booklet with unreleased photos and new artwork by Hugh Syme, a 5,700 word essay by Rob Bowman, and a digital download card sticker of new 40th anniversary art by Hughe Syme.
Sarah Brightman returns with her new studio album, HYMN, reuniting with long time producer and collaborator Frank Peterson, with whom she created chart topping albums such as Timeless (Time To Say Goodbye), Eden, La Luna, Harem, Symphony, and A Winter Symphony. HYMN is an inspirational collection of orchestrated, choir-based songs. Brightman, kept thinking about the word, HYMN, and to her it suggested joy a feeling of hope and light, something that is familiar and secure. For Brightman, every project comes from an emotional place, and HYMN is no exception. HYMN was recorded over the past two years in Hamburg, Miami, London, Vancouver, Los Angeles, New York, and Budapest, and encompasses songs by such modern composers as Eric Whitacre (Fly To Paradise), Japanese superstar musician and songwriter Yoshiki (Miracle), and German DJ Paul Kalkbrenner (Sky and Sand). HYMN's mystical, uplifting tone is set with its title track a song by British prog-rock band Barclay James Harvest. From there, the album becomes excitingly eclectic, encompassing many styles. Sogni, described as a mash-up of two arias from two different operas by French composer Georges Bizet, is flawlessly sung by Brightman and French tenor Vincent Niclo. Also included are Canto Per Noi, written by famed Italian composer Ennio Morricone and Romano Musumarra, and Follow Me, the love theme from the 1962 film Mutiny on the Bounty. Finally, the album closes with a new rendition of Brightman s signature smash duet with Andrea Bocelli, Time To Say Goodbye, in a new solo rendition with lyrics Sarah wrote herself, and sung in English for the first time.