Prince: Before the Rain puts into focus the hallmark imagery—including behind the- scenes, candid, and casual shots— Allen Beaulieu was Prince’s photographer and friend beginning in the late 1970s. He photographed three album covers and toured extensively with the artist. The book features recollections from Beaulieu on his personal and professional relationship with Prince. Going deeper into the context of these crucial years, supplemental text brings it all together with reminiscences from former bandmates, including Bobby Z., Dez Dickerson, André Cymone, and more.
Please note: We are not able to ship this outside the U.S.
U.S. Residents: Choose free shipping at the checkout if your order is $49 or more.
Electric Fetus - Minneapolis
Friday, October 26th - 7:00 p.m.
Electric Fetus - Minneapolis
Thursday, October 18th - 7:00 p.m.
Electric Fetus - Minneapolis
Wednesday, November 21st - 7:00 p.m.
UPDATE (Thursday, Sept. 13th): PASSES STILL REMAIN FOR THIS EVENT. Due to the high volume of web orders, we won't start shipping these passes until the week of Sept. 17th. We appreciate your patience!
UPDATE (Monday, Sept. 10th): PASSES STILL REMAIN FOR THIS EVENT. PRE-ORDER IN THE STORE OR ONLINE NOW. We've emailed an "order received" or "order question" email to everyone who ordered up through 9/9. We will start shipping passes and receipts out this week. You'll receive an "order processed" email when your pass(es) and receipt(s) have been mailed out. If you want to pre-order the LP but aren't coming to the event, please comment "no pass" and pick a paid shipping option. Thanks!
The Electric Fetus is psyched to have Hippo Campus return for a special, private in-store performance on Wednesday, November 21st to celebrate the upcoming release of their new album, Bambi. (Please note: This is the Wednesday evening before Thanksgiving.)
Hippo Campus will be performing at 7:00 and then signing afterwards.
There are a limited number of passes for the show, so make sure to secure your spot! Here's how:
The first 300 people to pre-purchase the Electric Fetus’ exclusive salt-and-pepper vinyl version of the new Hippo Campus LP, Bambi ($19.99) will receive a pass for the private in-store performance at our Minneapolis location. Bambi will be released on CD and a few color variations on LP on November 23rd. The Electric Fetus’ version of the LP is the only way to get into this private event. You will get your pre-ordered LP at the event. Each event pre-order includes a FREE Hippo Campus tote bag that you will pick up at the event when you get your LP. This event is the only way to get your special Hippo Campus tote bag.
PASSES AVAILABLE NOW! Purchases may be made in person at the Minneapolis store or online. No holds or phone orders.
Pre-order online here:
Here are the other logistics and a couple restrictions you should know:
• Customers will receive one pass per Electric Fetus exclusive LP purchased. Pass allows entry for one person only.
• Each customer may purchase a maximum of 4 passes.
• Passes are available online now while supplies last. For online orders, passes will be mailed to you. PLEASE ALLOW US 1-2 DAYS TO GET YOU YOUR EMAIL CONFIRMATION THAT YOU ARE GETTING A PASS. We will start shipping passes next week.
Pass and receipt must be brought to the in-store and presented to pick up pre-ordered item. Shipping charges will be waived for pre-orders for this event. Choose the PRE-ORDER PROMO/PRIVATE EVENT shipping option for no shipping charge. We will not ship out the product. It must be picked up at the store that night.
Regular black vinyl 7"
"Nothing Compares 2 U" contains the original version of the iconic song. This previously unreleased version was recorded in 1984, six years before 1990's classic reimagining by Sinéad O'Connor and before Prince started performing the song live. The track was recorded at the Flying Cloud Drive 'Warehouse' in Eden Prairie by Prince's long-time engineer Susan Rogers, and originally composed, arranged and performed in its entirety by Prince, aside from the backing vocals by Susannah Melvoin and Paul "St. Paul" Peterson. Also featured on the original track is saxophone work by Eric Leeds.
In 2018, Low will turn twenty-five. Since 1993, Alan Sparhawk and Mimi Parker—the married couple whose heaven-and-earth harmonies have always held the band’s center—have pioneered a subgenre, shrugged off its strictures, recorded a Christmas classic, become a magnetic onstage force, and emerged as one of music’s most steadfast and vital vehicles for pulling light from our darkest emotional recesses. But Low will not commemorate its first quarter-century with mawkish nostalgia or safe runs through songbook favorites. Instead, in faithfully defiant fashion, Low will release its most brazen, abrasive (and, paradoxically, most empowering) album ever: Double Negative, an unflinching eleven-song quest through snarling static and shattering beats that somehow culminates in the brightest pop song of Low’s career. To make Double Negative, Low reenlisted B.J. Burton, the quietly energetic and adventurous producer who has made records with James Blake, Sylvan Esso, and The Tallest Man on Earth in recent years while working as one of the go-to figures at Bon Iver’s home studio, April Base. Burton recorded Low’s last album, 2015’s Ones and Sixes, at April Base, adding might to many of its beats and squelch and frisson beneath many of its melodies. This time, though, Sparhawk, Parker, and bassist Steve Garrington knew they wanted to go further with Burton and his palette of sounds, to see what someone who is, as Sparhawk puts it, “a hip-hop guy” could truly do to their music. Rather than obsessively write and rehearse at home in Duluth, Minnesota, they would often head southeast to Eau Claire, Wisconsin, arriving with sketches and ideas that they would work on for days with Burton. Band and producer became collaborative cowriters, building the pieces up and breaking them down and building them again until their purpose and force felt clear. As the world outside seemed to slide deeper into instability, Low repeated this process for the better part of two years, pondering the results during tours and breaks at home. They considered not only how the fragments fit together but also how, in the United States of 2018, they functioned as statements and salves. Double Negative is, indeed, a record perfectly and painfully suited for our time. Loud and contentious and commanding, Low fights for the world by fighting against it. It begins in pure bedlam, with a beat built from a loop of ruptured noise waging war against the paired voices of Sparhawk and Parker the moment they begin to sing during the massive “Quorum.” For forty minutes, they indulge the battle, trying to be heard amid the noisy grain, sometimes winning and sometimes being tossed toward oblivion. In spite of the mounting noise, Sparhawk and Parker still sing. Or maybe they sing because of the noise. For Low, has there ever really been a difference?
Modern Rock N’ Roll band Greta Van Fleet to release highly anticipated new album, Anthem Of The Peaceful Army, on 10/19 via Lava Records. Album includes current single “When The Curtain Falls,” which is approaching top 5 airplay at Active Rock radio and is building at Alternative radio. They will re-launch their nearly sold out headlining tour on 9/11 in Canada. Greta Van Fleet recently set a record as the first band in 15 years to hit #1 airplay at Active Rock radio with 2 consecutive singles!
Thirty years ago, Edie Brickell and New Bohemians exploded out of Dallas and became an international sensation with their double-platinum debut album, Shooting Rubberbands at the Stars, featuring the Top Ten hit, “What I Am.” Now, the group returns with Rocket, their first new music in a dozen years—and as the title indicates, they remain a propulsive and unclassifiable force, a whirlwind of musical ideas and styles. Rocket is set for release on October 12 via Verve Forecast.
Live From The Ryman was primarily recorded during the group’s six sold out nights at Nashville’s legendary Ryman Auditorium in 2017. The double album features 13 live versions of songs from their last three critically acclaimed, award-winning studio albums - Southeastern (2013), Something More Than Free (2015), The Nashville Sound (2017).
Double LP on black vinyl in wide spine jacket. Includes 22.75” x 33” 2-sided folded newsprint poster. Includes coupon for full download
“Never sink and never hide / They tried to break our dream, but child: / Joy Stops Time”. I was sent an unfinished version of Dose Your Dreams so that I might contribute string parts. I couldn’t stop listening to the rough mixes I received. A friend asked me how the record was. I replied, “My God, Fucked Up have made their Screamadelica.”
And psych-rock-groove it is. The drums mixed wide, propensity for drones, for delay pedal, for repetition, groove. The politics and aesthetics of hardcore married to an “open format” approach to genre. Elements of doo-wop, krautrock, groove, digital hardcore.
“None of Your Business Man” opens the album in familiar enough territory, a sax-assisted exit from an office space. But things get psychedelic very quickly. By the time the title track arrives, Mike Haliechuk is whispering, wah pedals are in full effect, and we’re wearing oversized t-shirts and pinwheeling. “Accelerate,” the lyrical centerpiece of the album, storms in like Boredoms on a bullet train and dissolves into a digital nightmare. The album closer, “Joy Stops Time,” finds Fucked Up at their most Düsseldorfian, nearly eight minutes of blissful motorik.
At the center of it all is Damian Abraham’s scream—a man chained, a man tortured, a true protagonist. The effect is one of an epic, every chapter attempting its own narrative devices, its own genre hybridization—and it works, it works so insanely well. The drama unfolds like a miniature world of many parts being explored, a map being illuminated, location by location.
As with David Comes to Life, there is a story here. David—who once came to life—is now indentured to a desk job. David meets the elderly Joyce who closes his eyes, opens his mind, and sends him on a spiritual journey. David embarks on his own metaphysical odyssey. He sees a stage adaptation of his own life. He speaks to an angel in a lightbulb. He sees an infinite series of universes as simulations within simulations.
Meanwhile, Lloyd—Joyce’s lover—was sent, decades ago, by Joyce on the same odyssey, but was lost in the void. Lloyd seeks to be found and reunited with his lover. Where will David end up? Will Joyce and Lloyd be reunited?
Dose Your Dreams—meaning: treat your dreams as you would a dream, allow yourself to be lost within them, allow them to open your heart and your mind, enjoy them as you would a drug. Reach out for my hand and pull me close.
2018 marks the 50th anniversary of a pivotal year for Stax Records and for American history: 1968. This period immediately follows the untimely passing of Otis Redding; it s the year that Stax parted ways with Atlantic Records, and it's also when Martin Luther King was assassinated in Memphis. This 5-disc CD box set compiles every single (A- and B- sides) released on Stax and its subsidiary labels in '68 over 120 iconic songs from era-defining artists, including Otis Redding, The Staple Singers, William Bell, Booker T. and the M.G.'s, Carla Thomas, Johnnie Taylor, Albert King, Isaac Hayes, Linda Lindell, Rufus Thomas and many more. The package features a 56-page book with in-depth liner notes by Andria Lisle, Robert Gordon, and renowned producer Steve Greenberg, plus rare and never-before-seen photographs from the Stax archives.
Tom Morello is living proof of the transformative power of rock’n’roll. As the co-founder of Rage Against The Machine, Audioslave and Prophets Of Rage, and through collaborations with everyone from Bruce Springsteen to Johnny Cash, he has continually pushed the limits of what one man can do with six strings.
But on his latest album The Atlas Underground, he’s transformed his sound into something even he could not have anticipated, blending Marshall stack riff-rock with the digital wizardry of EDM and hip-hop to create the most ambitious artistic effort of his storied career.
The Atlas Underground includes collaborations with Marcus Mumford, Portugal. The Man, the Wu-Tang Clan’s RZA and GZA, Vic Mensa, K.Flay, Big Boi, Gary Clark Jr., Pretty Lights, Killer Mike and Whethan among others. “The riffs and the beats led the way, but the extraordinary talents of the collaborators set my creativity into uncharted territory,” says Morello of the project, which will be released October 12th, 2018 by Mom + Pop Music.
Transforming pain into transcendence is the genius of many pop artists, but Doe Paoro brings an entirely new depth to that process. On her third album Soft Power, the L.A.-based singer/songwriter digs into her own frustration and anguish, and ultimately comes away with a newfound strength that’s profoundly inspiring. Soft Power thus bears a raw vitality that marks a major departure from Doe’s previous album. Naming Carole King among her inspirations, Doe notes that the new record’s more urgent feel comes partly from reconnecting with the instinctive approach of her earliest songwriting. Throughout the album, Doe infuses her songs with a rebellious spirit. A passionately charged track about misogyny, “Guilty” blends cascading guitar lines with sharply cutting lyrics (I know I’m not the first / that you made defend her word). “Over” brings classic girl-group harmonies and smoldering vocal work to speak to the song’s central question: Now that I’m older / does it get easier / to get over? Several songs also confront the notion of setting boundaries, with “Projector” centering on “the refusal to let someone else superimpose their story onto yours” and “Walk Through the Fire” emerging as a brutal testament to the fact that “self-examination is ultimately a solo job – and there’s no easy way to do it”. The result is an album that’s undeniably potent in its emotional impact. “One thing I’ve continued to find through writing songs is the ability to alchemize painful experiences into something that’s useful and healing”, says Doe. “For me that’s the highest purpose of music—both in terms of what it offers to me and what I wish to offer to others”. - PRODUCED IN LONDON WITH JIMMY HOGARTH (AMY WINEHOUSE, SIA, CORINNE BAILEY RAE) - SOFT POWER IS THE THIRD ALBUM BY DOE PAORO - FOR FANS OF FLORENCE AND THE MACHINE, ST. VINCENT AND SKY FERREIRA
The Eclipse Sessions, John Hiatt’s newest album, offers up his strongest set of songs in years. Long celebrated as a skilled storyteller and keen observer of life’s twists and turns, Hiatt can get at the heart of a knotty emotion or a moment in time with just a sharp, incisive lyric or witty turn of phrase. The 11 tracks presented in The Eclipse Sessions, from the breezy opener “Cry to Me,” to the stark “Nothing in My Heart,” the lost-love lamentation “Aces Up Your Sleeve” to the rollicking “Poor Imitation of God,” demonstrate that the singer-songwriter, now 66, is only getting better with age, his guitar playing more rugged and rootsy, his words wiser and more wry.
Hiatt goes all in with The Eclipse Sessions. There’s a grit to these songs—a craggy, perfectly-imperfect quality that colors every aspect of the performances, right down to Hiatt’s vocals, which are quite possibly his most raw and expressive to date. “They ain’t pretty, that’s for sure,” he says about the creaks and cracks that punctuate his phrases in songs like “Poor Imitation of God” and “One Stiff Breeze.” “But I don’t mind a bit. All the catches and the glitches and the gruffness, that sounds right to me. That sounds like who I am.” The Eclipse Sessions is the sound of an artist not only living in but also capturing the moment.
Summer Salt is an Austin, Texas- based rock band of best pals. Self- deemed “coral reef rock ,” Summer Salt delivers a retro blend of bossa nova and 60’s pop with a modern twist. They create the perfect soundtrack for chillaxin’ by the pool. Band mates Matt Terry (vocals and guitar), Phil Baier (bass), and Eugene Chung (drums), and MJ Tirabassi (formerly The Walters), have self- released 3 EP’s and have gained a cult following through touring and a strong online presence.