CIMS Indie Fresh
Rick and Morty is the critically acclaimed, half-hour animated hit comedy series on Adult Swim that follows a sociopathic genius scientist who drags his timid grandson on insanely dangerous adventures across the universe. Rick and Morty stars Justin Roiland (Adventure Time), Sarah Chalke (Scrubs), Chris Parnell (Saturday Night Live) and Spencer Grammer (Greek). The series is created by Dan Harmon (Community) and Roiland who also serve as executive producers. •Rick and Morty was the most-watched TV comedy of 2017, and the second-most-watched show overall, among adults 18-24. •The Season 3 premiere (via a secret, internet-only stream) registered 3M unique visitors via Adult Swim's site. The corresponding Facebook live stream recorded 43.3M impressions and 8.7M video views. •The season 3 finale drew 3.9M viewers in the 18-24 range and was the most-watched telecast of the day with adults 18-24, 18-24, and 18-49. •Rick and Morty was recently renewed by Adult Swim for an unprecedented 70 episodes (the past season was ten episodes). This release is the first official collection of music from Rick and Morty. All formats feature 26 songs, 24 of which are from the first 3 seasons of the show, and 18 of which were composed by Ryan Elder specifically for the show. The album also includes songs by Mazzy Star, Chaos Chaos, Blonde Redhead, and Belly, all of which have been featured in the show, as well as two new tunes from Chad VanGaalen and Clipping inspired by the show. The box set includes a special bonus track on a 7”.
At this point in my life and career, I am happy to be given any opportunities, and I am really, really proud to be doing this album. It’s a project very dear to me – a collection of songs by artists who have departed in the last several years including Leonard Cohen, David Bowie, Tom Petty, Chris Cornell, Amy Winehouse, and George Michael to name a few. I feel these souls have made a real, lasting contribution to the art of the popular song, and to honor them is my deepest pleasure.
“I had a dream about Lemmy,” says Matt Pike, explaining the inspiration behind the title of High on Fire’s triumphant eighth album Electric Messiah. If there’s one aspect of High on Fire that warrants comparison to Lemmy’s mighty Motörhead, it’s longevity. 2018 sees the band celebrating 20 years of the most thunderous heavy metal, with brothers-in-arms Pike, bassist Jeff Matz, and drummer Des Kensel having been firmly intact for the last dozen years. Along the way the band has forged a distinct identity of towering riffs, a propulsive rhythm section, shredding solos, and lyrics of Hessian poetry that has drawn accolades from not only the metal community (notably Decibel, Revolver, Metal Hammer, Terrorizer, Kerrang! magazines) but from mainstream music scribes as well. Rolling Stone, Pitchfork, the Chicago Sun-Times, and The Village Voice are among the dozens of publications outside the metal scene to extol the greatness of High on Fire to curious readers.
Set for release in September, Raise Vibration will be Lenny Kravitz’s 11th studio album released on CD and 2 LPs in multiple standard and deluxe formats. The record promises to be one of Kravitz’s most eclectic. “Low,” the song that got the whole process started, developed into a smooth funk showcase; what Kravitz calls “my Quincy Jones school” complete with horns and a string arrangement. The title track is lean power-trio rock, while the ballad “Here to Love” features Kravitz backed only by his piano and a string section. “Johnny Cash,” inspired by an encounter with the late legend, is what Kravitz jokingly calls “psychedelic funk meets country.” As usual, Kravitz plays most of the instruments himself, with longtime guitarist Craig Ross. Lenny Kravitz has transcended genre, style, race and class into a 20-year musical career, one which revels in the rich influences of '60s and '70s soul, rock and funk. Kravitz's talents as a writer, producer and multi-instrumentalist have resonated now through eleven studio albums into a timeless catalog. He has also won four consecutive GRAMMY Awards, setting a record for the most wins in the "Best Male Rock Vocal Performance" category.
Ace Frehley is on a roll, and he’s ready to embark on his next musical journey with Spaceman, his third solo outing in four years, and eighth overall. Amongst Ace’s post-KISS recorded output, Spaceman might be the closest link to his widely acclaimed 1978 solo record, both in spirit and execution. First off, Frehley played all of the guitar parts on Spaceman, as well as bass on all but two songs. Longtime drummer Anton Fig, whose friendship with Ace began in that 1978 record, also appears on “Off My Back” and “Pursuit of Rock and Roll” (longtime collaborators Scot Coogan and Matt Starr also play drums on Spaceman). There’s also a thematic, almost biographical, thread running through the album of a long life in rock ’n’ roll, although Ace admits it wasn’t intentional. The first single “Bronx Boy” lays out Ace’s pre-KISS roots, running wild with an Irish street gang called the Ducky Boys. It might be his grittiest song to date, with an opening riff that lashes out like a switchblade. “Pursuit of Rock and Roll” ticks off a list of rockers that made Ace who he is, including Little Richard and the Stones. Frehley also makes it clear that rock is truly all he needs: “So sick of looking at reality TV / and like the Beatles said, you gotta ‘Let It Be.’” “No need to worry, I’ll be home soon, ’cause I’m rockin’ with the boys,” Frehley sings on “Rockin’ With the Boys,” which tells the tales of life on the road. Ace says he wrote the original version of the song back in KISS’s heyday in the ’70s—if you listen closely, it could almost be seen as a rockin’ counterpart to the Peter Criss-penned KISS classic “Beth.” Speaking of KISS brethren, let’s get back to those two songs on Spaceman that Ace didn’t play bass on. One listen of opener “Without You I’m Nothing” should be a dead giveaway. That mighty dinosaur growl of a bass tone belongs to Gene Simmons, who co-wrote that song, along with “Your Wish Is My Command,” with the Space Ace at Frehley’s home studio in Rancho Santa Fe, California. Frehley's reconnection with Simmons and fellow KISS vocalist-guitarist Paul Stanley (who joined Ace on a cover of Free’s “Fire and Water” for 2016’s covers LP Origins, Vol. 1) might be chalked up to the fact that Frehley has been sober for more than a decade (he celebrated 12 years of sobriety in September). Ace’s clean living no doubt has a lot to do with his productive streak, which began with the release of his top 20 Anomaly album in 2009, his top 10 Space Invader LP in 2014 (a first for any KISS member); and continues with Spaceman (a title suggested by Gene Simmons himself). Spaceman is a lean-and-mean nine tracks, and includes what has become a trademark for any Ace joint, a cosmic instrumental. “Quantum Flux” is a classic prog ’n’ roll song from Frehley, with lush acoustics and twin-leads. Fans might also notice the song’s doomy outro, which nods to “Black Diamond” on KISS’s 1974 debut.
Pre-order now to get your pass to Low's private performance at Electric Fetus, Minneapolis on Sept. 14th at 6:00 p.m.
Supplies are limited. Assume you are getting your pass(es) mailed unless you hear otherwise in the next 3-5 business days.
This 37 track, 2-CD set includes artists from all genres paying tribute to one of the greatest songwriters/performers of all time. Guest artists include, Willie Nelson, Dolly Parton, Merle Haggard, Kacey Musgraves, Cake, John Goodman, Brad Paisley and many more.