Throughout his life, from his very beginnings right up to the end, Telemann wrote for the basse de viole (as the French called it) and especially in chamber music. Of course, the viola da gamba also plays an important role in works intended for larger formations, such as concertos and orchestral suites, church cantatas and, lastly, oratorios. According to the custom of the time, Telemann also used the viol in funeral cantatas. Furthermore, he wrote for it as a solo instrument: for example, the Sonata in D major, TWV 40:1, recorded here, or sonatas for two viols or for viol and basso continuo. The present recording brings together various works with solo viol, selected from different periods of the master's output. Here one will find a double concerto for recorder, viol, strings and continuo, two solos with basso continuo, a sonata for solo viol and two quartets.
Throughout his life, from his very beginnings right up to the end, Telemann wrote for the basse de viole (as the French called it) and especially in chamber music. Of course, the viola da gamba also plays an important role in works intended for larger formations, such as concertos and orchestral suites, church cantatas and, lastly, oratorios. According to the custom of the time, Telemann also used the viol in funeral cantatas. Furthermore, he wrote for it as a solo instrument: for example, the Sonata in D major, TWV 40:1, recorded here, or sonatas for two viols or for viol and basso continuo. The present recording brings together various works with solo viol, selected from different periods of the master's output. Here one will find a double concerto for recorder, viol, strings and continuo, two solos with basso continuo, a sonata for solo viol and two quartets.
3760195739099

Details

Format: CD
Label: ARC
Rel. Date: 01/08/2021
UPC: 3760195739099

Viola Di Gamba
Artist: Telemann / Armonico Tributo Austria / Duftschmid
Format: CD
New: Available to Order $11.98
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Throughout his life, from his very beginnings right up to the end, Telemann wrote for the basse de viole (as the French called it) and especially in chamber music. Of course, the viola da gamba also plays an important role in works intended for larger formations, such as concertos and orchestral suites, church cantatas and, lastly, oratorios. According to the custom of the time, Telemann also used the viol in funeral cantatas. Furthermore, he wrote for it as a solo instrument: for example, the Sonata in D major, TWV 40:1, recorded here, or sonatas for two viols or for viol and basso continuo. The present recording brings together various works with solo viol, selected from different periods of the master's output. Here one will find a double concerto for recorder, viol, strings and continuo, two solos with basso continuo, a sonata for solo viol and two quartets.

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