Belonging, Ian Chang's (Son Lux drummer) first full-length album, is like a cyborg - part purring mechanism, part animate bio-mass rising from primordial ooze. In nine concise, largely instrumental pop songs, Chang conjures a personal cosmos: the listener feels as if we might reach out and touch Belonging's jagged and tender aural sculptures. At every level, his music sings with earnest and deceptive simplicity. The album's melodies are intimate, its rhythms rewarding, and yet, just beneath the surface glimmers innovation, as if the neurons firing in each melodic idea have become audible. From the tradition of Bjork, Burial, and Flying Lotus, Chang breathes a new kind of human vulnerability into electronica.

Belonging, Ian Chang's (Son Lux drummer) first full-length album, is like a cyborg - part purring mechanism, part animate bio-mass rising from primordial ooze. In nine concise, largely instrumental pop songs, Chang conjures a personal cosmos: the listener feels as if we might reach out and touch Belonging's jagged and tender aural sculptures. At every level, his music sings with earnest and deceptive simplicity. The album's melodies are intimate, its rhythms rewarding, and yet, just beneath the surface glimmers innovation, as if the neurons firing in each melodic idea have become audible. From the tradition of Bjork, Burial, and Flying Lotus, Chang breathes a new kind of human vulnerability into electronica.

4250506835545
Belonging [Limited Edition White LP]

Details

Format: Vinyl
Label: CITY SLANG
Rel. Date: 05/29/2020
UPC: 4250506835545

Belonging [Limited Edition White LP]
Artist: Ian Chang
Format: Vinyl
New: Available to Order 22.98
Wish

Available Formats and Editions

DISC: 1

1. Lion Dance
2. Comfort Me (feat. Kiah Victoria)
3. Teem
4. Swarm
5. Audacious (feat. KAZU)
6. Food Court
7. Bird's Tongue (feat. Hanna Benn)
8. Zoetrope
9. Drunken Fist

More Info:

Belonging, Ian Chang's (Son Lux drummer) first full-length album, is like a cyborg - part purring mechanism, part animate bio-mass rising from primordial ooze. In nine concise, largely instrumental pop songs, Chang conjures a personal cosmos: the listener feels as if we might reach out and touch Belonging's jagged and tender aural sculptures. At every level, his music sings with earnest and deceptive simplicity. The album's melodies are intimate, its rhythms rewarding, and yet, just beneath the surface glimmers innovation, as if the neurons firing in each melodic idea have become audible. From the tradition of Bjork, Burial, and Flying Lotus, Chang breathes a new kind of human vulnerability into electronica.

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