"Freedom" makes it's CD debut. The dawning of the rock steady sound, late in 1966, eliminated the need for record producers to employ horn sections, a consequence of which was to significantly reduce studio costs. The development enabled a new generation of young, dynamic music makers to make a mark upon Jamaica's recording industry and of these, few proved more successful or influential than Clancy Eccles. By the late Sixties, Eccles had become firmly established as one of the island's premiere producers, having been a pivotal figure in the development of reggae during the latter half of 1968. The following year he scored his biggest hit, the rambunctious 'Fattie Fattie', which sold in huge amounts both at home and the UK, where a chart placing for the disc was only denied by the lack of recognition of sales from Jamaican music retailers. The single's popularity prompted Trojan Records to issue Eccles's debut long-player, "Freedom", which gathered the best of his self-produced recordings as a singer. The album's release coincided with a second LP of his work that showcased his most recent instrumental productions with top session crew, the Dynamites, along with a trio of tracks featuring pioneering DJ toaster, King Stitt, whose ground-breaking hit, 'Fire Corner', provided the collection's title. Both of these seminal boss reggae sets feature on this essential 2CD compilation, which is further enhanced by 13 additional vocal sides from the late Sixties along with the remaining recorded works of both King Stitt and the Dynamites, from 1969: the year reggae went outernational.
"Freedom" makes it's CD debut. The dawning of the rock steady sound, late in 1966, eliminated the need for record producers to employ horn sections, a consequence of which was to significantly reduce studio costs. The development enabled a new generation of young, dynamic music makers to make a mark upon Jamaica's recording industry and of these, few proved more successful or influential than Clancy Eccles. By the late Sixties, Eccles had become firmly established as one of the island's premiere producers, having been a pivotal figure in the development of reggae during the latter half of 1968. The following year he scored his biggest hit, the rambunctious 'Fattie Fattie', which sold in huge amounts both at home and the UK, where a chart placing for the disc was only denied by the lack of recognition of sales from Jamaican music retailers. The single's popularity prompted Trojan Records to issue Eccles's debut long-player, "Freedom", which gathered the best of his self-produced recordings as a singer. The album's release coincided with a second LP of his work that showcased his most recent instrumental productions with top session crew, the Dynamites, along with a trio of tracks featuring pioneering DJ toaster, King Stitt, whose ground-breaking hit, 'Fire Corner', provided the collection's title. Both of these seminal boss reggae sets feature on this essential 2CD compilation, which is further enhanced by 13 additional vocal sides from the late Sixties along with the remaining recorded works of both King Stitt and the Dynamites, from 1969: the year reggae went outernational.
5013929275034

Details

Format: CD
Label: CHERRY RED
Rel. Date: 02/21/2020
UPC: 5013929275034

Freedom / Fire Corner: 2 Original Albums (Uk)
Artist: Clancy Eccles & The Dynamites
Format: CD
New: Available to Order 22.99
Wish

Available Formats and Editions

CD
$22.99
DISC: 1

1. Freedom - Clancy Eccles
2. What Will Your Mother Say - Clancy Eccles
3. Two of a Kind - Clancy ; Cynthia
4. The World Needs Loving - Clancy Eccles
5. Dollar Train - Clancy Eccles
6. Constantinople - Clancy Eccles
7. Fattie Fattie - Clancy Eccles
8. Auntie Lulu - Clancy Eccles
9. Shu Be Du - Clancy Eccles 1
10. My Girl - Clancy Eccles 1
11. I Need You - Clancy Eccles 1
12. Mount Zion - Clancy ; Scully 1
13. Open Up - Clancy Eccles 1
14. Darling Don't Do That - Clancy Eccles 1
15. Festival '68 - Clancy Eccles 1
16. The Revenge - Clancy Eccles 1
17. Bangarang Crash - Clancy Eccles 1
18. The Big Fight - Clancy Eccles 1
19. Don't Brag Don't Boast - Clancy Eccles 2
20. Deacon Don - Clancy Eccles 2
21. Great (Beat) - Clancy Eccles 2
22. Chinaman - Clancy Eccles 2
23. Oh My Lover - Clancy ; Cynthia 2
24. Dance Beat (Version I) - Clancy ; Stitt 2
25. Fattie Fattie (Alt. Version) - Clancy Eccles 2
26. Eternally - the Dynamites 2
27. Sam-Fie - the Dynamites 2
28. I Did It - Winston Wright ; the Dynamites 2
29. This Is the Night - Winston Wright 3
30. One Way Street - Winston Wright 3
31. John Public - the Dynamites 3
32. Mr Midnight - the Dynamites 3
33. Soul Language - King Stitt 3
34. Say What You Say - Winston Wright 3
35. Vigorton 2 - King Stitt 3
36. Next Corner - the Dynamites 3
37. Fire Corner - King Stitt 3
38. Rathid - the Dynamites 3
39. Who Yea - King Stitt 4
40. City Demonstration - Val Bennett 4
41. On the Street - King Stitt 4
42. Mercilina - the Dynamites 4
43. Silbert Dragon - Winston Wright 4
44. Lick It Back - King Stitt 4
45. Last Call - the Dynamites 4
46. Rough Road - Winston Wright 4
47. I for I - King Stitt 4
48. Sweet Africa - Val Bennett 4
49. The Lion Wakes - Winston Wright 5
50. Dance Beat (Version II) - Clancy ; Stitt

More Info:

"Freedom" makes it's CD debut. The dawning of the rock steady sound, late in 1966, eliminated the need for record producers to employ horn sections, a consequence of which was to significantly reduce studio costs. The development enabled a new generation of young, dynamic music makers to make a mark upon Jamaica's recording industry and of these, few proved more successful or influential than Clancy Eccles. By the late Sixties, Eccles had become firmly established as one of the island's premiere producers, having been a pivotal figure in the development of reggae during the latter half of 1968. The following year he scored his biggest hit, the rambunctious 'Fattie Fattie', which sold in huge amounts both at home and the UK, where a chart placing for the disc was only denied by the lack of recognition of sales from Jamaican music retailers. The single's popularity prompted Trojan Records to issue Eccles's debut long-player, "Freedom", which gathered the best of his self-produced recordings as a singer. The album's release coincided with a second LP of his work that showcased his most recent instrumental productions with top session crew, the Dynamites, along with a trio of tracks featuring pioneering DJ toaster, King Stitt, whose ground-breaking hit, 'Fire Corner', provided the collection's title. Both of these seminal boss reggae sets feature on this essential 2CD compilation, which is further enhanced by 13 additional vocal sides from the late Sixties along with the remaining recorded works of both King Stitt and the Dynamites, from 1969: the year reggae went outernational.

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