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Our successful Reger edition can finally continue, and critics continue to be more than enthusiastic about the previous installments, Musik & Theater even claiming, "These recordings are among the best currently available in organ music by Reger." And now the penultimate volume No. 8. The focus is on Reger's op. 67. In May 1901, Reger informed Straube of his intention to "write 30 chorale preludes to the best-known chorales." Over time, the project grew to 52 preludes. In the letter of October 22, 1902 to the publishing house Lauterbach & Kuhn in Leipzig, Reger wrote with regard to the collection Zweiundfünfzig leicht ausführbare Vorspiele zu den gebräuchlichsten evangelischen Chorälen op. 67 that he could "probably say without arrogance that no such collection has been published since J. S. Bach." In fact, Reger is to be agreed here without any reservations: Reger's op. 67 was a work that can be compared to Bach's "Orgelbüchlein" in terms of content as well as scope and pedagogical intention.
Our successful Reger edition can finally continue, and critics continue to be more than enthusiastic about the previous installments, Musik & Theater even claiming, "These recordings are among the best currently available in organ music by Reger." And now the penultimate volume No. 8. The focus is on Reger's op. 67. In May 1901, Reger informed Straube of his intention to "write 30 chorale preludes to the best-known chorales." Over time, the project grew to 52 preludes. In the letter of October 22, 1902 to the publishing house Lauterbach & Kuhn in Leipzig, Reger wrote with regard to the collection Zweiundfünfzig leicht ausführbare Vorspiele zu den gebräuchlichsten evangelischen Chorälen op. 67 that he could "probably say without arrogance that no such collection has been published since J. S. Bach." In fact, Reger is to be agreed here without any reservations: Reger's op. 67 was a work that can be compared to Bach's "Orgelbüchlein" in terms of content as well as scope and pedagogical intention.
761203534227

Details

Format: CD
Label: CPO RECORDS
Rel. Date: 10/21/2022
UPC: 761203534227

Organ Works 8 (Hybr)
Artist: Gerhard Weinberger
Format: CD
New: Available to Order $33.99
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CD
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DISC: 1
MP3
1. Monologues For Organ, Book 1, Op. 63 (Excerpts): I. Präludium
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2. Monologues For Organ, Book 1, Op. 63 (Excerpts): II. Fuge
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3. Monologues For Organ, Book 1, Op. 63 (Excerpts): III. Canzone
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4. Monologues For Organ, Book 1, Op. 63 (Excerpts): IV. Capriccio
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5. Monologues For Organ, Book 2, Op. 63 (Excerpts): VIII. Fantasie
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6. Monologues For Organ, Book 3, Op. 63 (Excerpts): XI. Canon
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7. Monologues For Organ, Book 3, Op. 63 (Excerpts): XII. Scherzo
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8. 52 Chorale Preludes, Vol. 2, Op. 67 (Excerpts): No. 16, Ich Dank Dir, Lieber Herre
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9. 52 Chorale Preludes, Vol. 2, Op. 67 (Excerpts): No. 17, Ich Will Dich Lieben, Meine Stärke
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10. 52 Chorale Preludes, Vol. 2, Op. 67 (Excerpts): No. 18, Jerusalem, Du Hochgebaute Stadt
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11. 52 Chorale Preludes, Vol. 2, Op. 67 (Excerpts): No. 23, Lobt Gott, Ihr Christen Alle Gleich
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12. 52 Chorale Preludes, Vol. 2, Op. 67 (Excerpts): No. 25, Mach's Mit Mir, Gott, Nach Deiner Güt'
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13. 52 Chorale Preludes, Vol. 2, Op. 67 (Excerpts): No. 30, O Gott, Du Frommer Gott
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14. 52 Chorale Preludes, Vol. 2, Op. 67 (Excerpts): No. 31, O Jesu Christ, Meines Lebens Licht
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15. 52 Chorale Preludes, Vol. 2, Op. 67 (Excerpts): No. 35, Seelenbräutigam
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16. Variations & Fugue On "God Save The King"
DISC: 2
MP3
1. 5 Preludes & Fugues, Book 2, Op. 56: No. 4a In C Major, Präludium
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2. 5 Preludes & Fugues, Book 2, Op. 56: No. 4b In C Major, Fuge
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3. Chorale Preludes For Organ, Book 1, Op. 79b (Excerpts): No. 5, Mit Fried Und Freud Fahr Ich Dahin
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4. Chorale Preludes For Organ, Book 1, Op. 79b (Excerpts): No. 6, Wer Weiß, Wie Nahe Mir Mein Ende
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5. Chorale Preludes For Organ, Book 2, Op. 79b (Excerpts): No. 7, Auferstehn, Ja Auferstehn
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6. Chorale Preludes For Organ, Book 2, Op. 79b (Excerpts): No. 10, Mit Fried Und Freud Fahr Ich Dahin
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7. Chorale Preludes For Organ, Book 2, Op. 79b (Excerpts): No. 12, Herr, Nun Selbst Den Wagen Halt
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8. 4 Preludes & Fugues, Op. 85 (Excerpts): No. 1a In C-Sharp Minor, Prelude
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9. 4 Preludes & Fugues, Op. 85 (Excerpts): No. 1b In C-Sharp Minor, Fugue
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10. 4 Preludes & Fugues, Op. 85 (Excerpts): No. 2a In G Major, Prelude
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11. 4 Preludes & Fugues, Op. 85 (Excerpts): No. 2b In G Major, Fugue
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12. 4 Preludes & Fugues, Op. 85 (Excerpts): No. 4a In E Minor, Prelude
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13. 4 Preludes & Fugues, Op. 85 (Excerpts): No. 4b In E Minor, Fugue
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14. 52 Chorale Preludes, Vol. 1, Op. 67 (Excerpts): No. 1, Allein Gott In Der Höh' Sei Ehr
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15. 52 Chorale Preludes, Vol. 1, Op. 67 (Excerpts): No. 2, Alles Ist An Gottes Segen
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16. 52 Chorale Preludes, Vol. 1, Op. 67 (Excerpts): No. 3, Aus Tiefer Not Schrei Ich Zu Dir
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17. 52 Chorale Preludes, Vol. 1, Op. 67 (Excerpts): No. 4, Aus Meines Herzens Grunde
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18. 52 Chorale Preludes, Vol. 1, Op. 67 (Excerpts): No. 5, Christus, Der Ist Mein Leben
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19. 52 Chorale Preludes, Vol. 1, Op. 67 (Excerpts): No. 8, Erschienen Ist Der Herrlich Tag
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20. 52 Chorale Preludes, Vol. 1, Op. 67 (Excerpts): No. 9, Herr Jesu Christ, Dich Zu Uns Wend
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21. 52 Chorale Preludes, Vol. 1, Op. 67 (Excerpts): No. 10, Es Ist Das Heil Uns Kommen Her
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22. 52 Chorale Preludes, Vol. 1, Op. 67 (Excerpts): No. 11, Freu Dich Sehr, O Meine Seele
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23. 52 Chorale Preludes, Vol. 1, Op. 67 (Excerpts): No. 13, Herr, Wie Du Willst, So Schick's Mit Mir
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24. 52 Chorale Preludes, Vol. 1, Op. 67 (Excerpts): No. 15, Jauchz, Erd, Und Himmel, Juble!
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Our successful Reger edition can finally continue, and critics continue to be more than enthusiastic about the previous installments, Musik & Theater even claiming, "These recordings are among the best currently available in organ music by Reger." And now the penultimate volume No. 8. The focus is on Reger's op. 67. In May 1901, Reger informed Straube of his intention to "write 30 chorale preludes to the best-known chorales." Over time, the project grew to 52 preludes. In the letter of October 22, 1902 to the publishing house Lauterbach & Kuhn in Leipzig, Reger wrote with regard to the collection Zweiundfünfzig leicht ausführbare Vorspiele zu den gebräuchlichsten evangelischen Chorälen op. 67 that he could "probably say without arrogance that no such collection has been published since J. S. Bach." In fact, Reger is to be agreed here without any reservations: Reger's op. 67 was a work that can be compared to Bach's "Orgelbüchlein" in terms of content as well as scope and pedagogical intention.

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